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Hospitality

Designing Happiness Through Cultural Inspiration

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BLINK Design Group

Exclusive interview with Clint Nagata, Founder and Creative Partner, BLINK Design Group

How was your journey from starting at WATG to founding BLINK Design Group, and what inspired you to take this path?

Upon graduation from the University of Hawaii, I joined WATG in their Honolulu office. I was fortunate to have had the opportunity to mentor under Don Goo and ended up becoming the youngest partner of 22 other partners in the firm. Realizing that this wasn’t for me, I decided to leave the firm at the age of 35 and relocate to Bangkok, where I was attracted to the culture, its people, and most of all, the talented designers that reside here. You could say that WATG was instrumental in shaping my design career.

How does your passion for travel and appreciation of diverse cultures influence BLINK’s design philosophy and approach to each project?

My passion for travel has resulted in a strong appreciation and respect for diverse cultures, which has influenced me greatly. ‘Place making’ is my mantra that has been widely imbued in our group philosophy. We take both our clients and guests on a journey that tells the story of a place through a modern design lens. We seek to create wonderful interior-based designs that capture the spirit of the place through simplicity, balance, and proportion. The W Dubai Mina Seyahi is a clear case study for this – incorporating the ‘Port of Travellers’ theme laden with lavish touches and hints of intrigue, adventure, and romance from dhow boat shapes to Arabian calligraphy.

With studios in Thailand, Shanghai, Singapore, and Dubai, how do you maintain a cohesive company culture while adapting to the unique design demands of each region?

Our office hierarchy is quite flat; I do not dictate design downwards. It’s more a collaborative relationship between the design directors and me. I am a believer in developing the next generation of leaders, so we try to nurture staff, empowering them to lead the designs and giving them opportunities to grow.

What innovative materials or design elements does BLINK frequently use in interior design to enhance the luxury experience?

Keeping to our ‘place making’ philosophy, we at BLINK aim to translate our clients’ visions into awesome, unforgettable pieces of architecture inspired by travel experiences and cultural encounters. To do this, we need to listen to our clients’ narrative for the choice of location, its site history, the community relationship, and connection with guests.

For example: For Regent Phu Quoc, we use materials like lacquerware with the delicate duck eggshell inlays for which the region is famous. In addition, there is a strong emphasis on natural materials in line with the island’s pristine natural setting, such as hand-woven abaca wall coverings used in the villas as a soft contrast to the local dark natural stones for the floor. For the new Six Senses Kyoto, we showcased local arts and artisans from Japan in an elegant, courtly manner to not only support the local arts but also encourage a continuation of these traditions. This is reflected in elements like Washi partitions, Sakan, the plasterwork that flourished during Japan’s Edo period, and traditional Sudare Japanese screens, made of horizontal slats of high-quality bamboo to lend intrigue and privacy.

How does BLINK Design Group tailor its interior design solutions to meet the specific needs and preferences of each client?

At the start of every project, we make it a point to look at the project through the lens of a local – as if we were born and raised there and not through the lens of a foreigner. To be successful, the design needs to resonate with locals and visitors alike. Although it seems quite simple, it can be challenging and requires us to deep dive into the place in order to understand the true elements that define the uniqueness of a place through its history. Of course, this is combined with a detailed brief from the client to understand their objectives.

August is the month of happiness so how does BLINK Design Group create spaces that promote happiness and well-being for guests?

With work being done more remotely, on the go, or via a hybrid mix, hotels are transforming themselves into pleasant social spaces. We recognize that not everyone wants to work in a co-workspace but may choose to work away in a café, park, etc. One example is the WOW Spa (Bar-B Spa) at W Dubai Mina Seyahi – the heart of the spa is the lounge bar with swing seats that were meant to become a social gathering space. ‘Bleisure,’ or combining business with leisure or pleasure, is now the norm. It’s not unusual to see guests pounding away on laptops at the poolside, bar, or café these days.

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Hospitality

Why Luxury Hospitality Is Moving from Spectacle to Storytelling

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Exclusive interview with Jai Sharma, Founder, Envelop Designs Arabia 

Envelop has worked with major hospitality names including Taj Hotels, Rambagh Palace, Fairmont Udaipur, Ananta Hotels & Resorts and Emaar. What does a hotel or hospitality brand typically come to you wanting, and how does that differ from what a private client wants?

The starting point is actually the same, we begin with the story. Before we think about the space or the visual language, we want to understand who we’re designing for, their personalities, their values, what makes them different from everyone else in the room.

With a private client, that story is personal, a couple’s journey, their relationship, their families. With a hospitality brand, the story belongs to the property itself, its history, its guests, what it wants to be remembered for. The questions we ask change, but the process doesn’t. We’re still uncovering the emotional core before a single design decision gets made.

Hospitality brands are increasingly investing in “experience” as a differentiator rather than just service or amenities. From where you sit, is that a genuine shift in the industry or more of a marketing trend?

I’d call it a genuine shift, and it mirrors what we’ve seen happen with weddings over the last decade. The biggest change has been from display to meaning. Earlier, everything was about grandeur, now it’s increasingly about intention. Guests want experiences that reflect a place’s personality and values, not just its amenities.

The common thread across hospitality, weddings and brand experiences is emotional storytelling. People remember how something made them feel far longer than they remember what it looked like. We call it the memory economy, and hotels are starting to design for it the same way we’ve always designed celebrations, around recall, not just service.

You’ve now partnered with Rayqube to launch Envelop Designs Arabia in the UAE. What made Rayqube the right partner, and what does the division of expertise look like between design and technology in that partnership?

Rayqube brings nearly a decade of expertise in events, exhibition build-outs and technology-driven experiences, and that’s exactly the layer we needed to build properly in this market. Our strength has always been narrative, understanding a story and translating it into a spatial and experiential journey. Rayqube’s strength is production and technology, the infrastructure that makes ambitious ideas actually executable at scale.

Bringing that philosophy into the UAE through Envelop Designs Arabia let us build for a market that’s hungry for experiences with real cultural depth, and Rayqube is the right partner to help us do that. Design and technology under one roof means we’re not compromising on either side.

Hospitality operators think in terms of repeat guests and brand loyalty, not just single events. How do you design an experience that serves that longer-term relationship rather than just the moment itself?

A single celebration has one goal, to be remembered by the people in the room that night. A hospitality brand needs something that keeps working long after the guests have left, that makes them want to come back, or tell someone else about it.

What we’ve found is that the two aren’t actually in conflict. If an experience is built around genuine narrative rather than spectacle, it tends to create exactly the kind of memory that brings people back. We’re not designing for one night when we work with a hotel group, we’re designing for how that property wants to be felt every time someone walks through it.

The UAE hospitality and events market is famously competitive at the luxury end. What gap did you see here that made you confident there was still room for a studio built around narrative rather than décor?

We didn’t come to the UAE because it was the obvious next step. We came because I believe this region understands what it means to design a moment rather than just produce an event. There’s a real appetite here for depth, for culture, for experiences that are felt rather than simply seen.

Much of the region’s industry has been built around production and décor, and it’s genuinely excellent at that. What we saw was a different question waiting to be asked, not what a space should look like, but how it should make guests feel, treating every project as a complete sensory experience and reading psychology, pacing and emotion as real materials of design, alongside light, sound and space.

You’ve said Envelop deliberately limits itself to seven or eight social projects a year. Does that same discipline apply to hospitality partnerships, or does a longer-term brand relationship with a hotel group work differently from a single wedding or celebration?

The discipline is the same, even if the shape of the relationship is different. A hospitality partnership isn’t one project, it’s an ongoing one, so the depth we’d normally put into a single celebration gets spread across a longer relationship instead. That actually suits us. We’re not interested in taking on every hotel group that approaches us, we’re interested in the ones where there’s real alignment on what an experience should be.

The seven or eight number applies specifically to social projects, but the underlying principle, depth over volume, is what governs every relationship we take on, hospitality included.

With Envelop Designs Arabia, you’ve mentioned engaging in early conversations around Dubai’s real estate sector alongside hospitality and brand work. How closely connected are real estate and hospitality experience design from where you sit, and do they draw on the same process?

They’re closer than people assume. A real estate launch and a hospitality brand are both, in a sense, asking people to imagine a feeling before they’ve fully experienced the place, whether that’s living somewhere or staying somewhere. Both are memory economy exercises.

We’re already engaged in conversations for potential pitches with the city’s rapidly evolving real estate sector, and the process we’d bring to that is identical to what we bring to hospitality, understand the story, understand what feeling needs to be associated with the brand, then build the experience backward from there.

Technology is becoming a bigger part of how hospitality brands design guest experiences, from immersive installations to digital touchpoints. How do you decide when technology adds to a narrative versus when it distracts from it?

Technology can accelerate research, visualisation and execution, and we use it for exactly that. But it can not sit with a guest and understand what a particular moment means to them. That part of the work, empathy, intuition, storytelling, will always be human.

The test for us is simple, does the technology serve the story, or is it there because it looks impressive. If it’s the latter, we leave it out, no matter how capable it is. Technology should disappear into the experience, not announce itself.

Looking at Envelop’s growth trajectory, from Jaipur to Abu Dhabi to a full-time UAE presence, what does success in this market look like for you three to five years from now, beyond revenue targets?

The numbers matter, and we’ve set clear targets as part of that growth. But if I look at it purely through revenue, I’d be missing the point of why we came here in the first place.

Success for me looks like the UAE becoming a place where we get to attempt ideas we simply couldn’t have executed before, projects that need this scale, this appetite for depth, this cultural richness. If in three to five years people in this market associate Envelop with experiences that are felt rather than seen, that’s the real marker, the revenue will follow that, not the other way around.

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Hospitality

A Celebration of Her: ME by Meliá Dubai Marks Emirati Women’s Month with Art, Wellness and Elevated Stays

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This Emirati Women’s Month, ME by Meliá Dubai turns the spotlight on women through art, self-care and a little extra indulgence. At the heart of the celebrations, acclaimed Emirati artist Fatma Lootah is taking over the hotel’s Level 3 Art Gallery with a powerful collection exploring femininity, memory and identity. Beyond the exhibition, Wellness by ME is giving guests more time to switch off with an additional 30 minutes complimentary on every treatment, while women checking in can enjoy a complimentary room upgrade and matcha over breakfast.

From moments of reflection to moments of pure indulgence, August is all about celebrating women and giving them a little more –  more time, more space and more reasons to enjoy the occasion.

Emirati Women’s Month Exhibition with Fatma Lootah:

Art takes centre stage as ME by Meliá Dubai welcomes a special exhibition by acclaimed Emirati artist Fatma Lootah, presented in collaboration with Art in the Middle. As one of the UAE’s distinctive contemporary artists, Lootah brings a deeply personal Emirati perspective to her practice, exploring identity, memory, femininity and heritage through works shaped by her connection to place and time. The exhibition brings together three selected works, The Two Women (2021), The Violet Dress (2015) and Grandma (2022), each revealing a different expression of womanhood, from connection and individuality to elegance, quiet strength and the enduring presence of generations past.

Together, the three works tell a story that feels especially poignant during Emirati Women’s Month, moving between generations and reflecting on the women, memories and traditions that shape identity. Displayed within ME by Meliá Dubai’s Level 3 Art Gallery, surrounded by the fluid interiors designed by Zaha Hadid, the exhibition invites guests to experience Lootah’s work up close and discover the stories behind each piece. Running from 20 August until 30 September, it offers a meaningful celebration of Emirati artistic expression and the many ways womanhood, heritage and identity continue to be carried forward.

More Time for ME – Wellness by ME

An hour of self-care just became an hour and a half. Wellness by ME is giving women an additional 30 minutes complimentary with any treatment booked, turning their chosen experience into an even longer opportunity to unwind, reset and enjoy some uninterrupted time to themselves.

Whether releasing tension with a restorative massage or choosing another treatment from the Wellness by ME menu, guests can settle in for longer at no additional cost. It’s the perfect treat with more time to switch off, recharge and leave feeling completely renewed.

Ladies Stay Upgrade

A stay at ME by Meliá Dubai comes with a little more for women this month. Ladies booking directly with the hotel will receive a complimentary upgrade to the next room category, adding an extra touch of indulgence from the moment they check in.

The experience continues the following morning with complimentary matcha during breakfast, setting the tone for an easy start to the day. Whether escaping for a solo reset, planning a staycation with friends or simply swapping the everyday for a night away, it’s an effortless excuse to check in, switch off and enjoy a little extra along the way.

From discovering the work of one of the UAE’s distinctive contemporary artists to carving out more time for self-care or escaping for an elevated stay, ME by Meliá Dubai is putting women at the heart of the moment. Through experiences designed to inspire, indulge and create space to simply enjoy, the hotel brings its own distinctive perspective to Emirati Women’s Month, celebrating women in ways that feel personal, memorable and entirely their own.

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Hospitality

One Last Splash Before School: Yas Acres Golf & Country Club Hosts Back-to-School Pool Party

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With the summer holidays drawing to a close and the return to school just around the corner, Yas Acres Golf & Country Club is giving families one last chance to make the most of the summer with a full day of poolside fun. Taking place on Saturday, 29 August, the Back-to-School Pool Party brings together entertainment, activities and full pool access for a final summer celebration before the school routine begins.

Running from 10am to 7pm, the day will keep the little ones entertained with a packed line-up of family-friendly activities, including a bubble show, a magic show, a craft station, face painting, balloon twisting, a photo booth and arcade games. A live DJ and BBQ station will add to the poolside atmosphere, giving families plenty of reason to make a day of it.

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